10 Best MFT Lenses: Which Micro 4 3 Is Right for You?

With solid range, unreal sharpness, no chromatic aberration, and decent speed, this is a great lens. It offers a range of borderline fisheye to medium wide-angle and outstanding optics. Users love its superb build quality. It also boasts glare reduction which helps prevent the sun from ruining your images. Another great benefit is this lens has image stabilization. As with most Lumix lens, it’s also weather and dust-proof. For those who need a top of the line lens capable of video recording (its AF motor is virtually silent) and for photography use, this lens offers a lot of value.

For those who need more range than the top lens on this list, this 12-60mm f3.5-5.6 is slightly slower but offers superb range, from extremely wide to telephoto. Like the above lens, it also boasts optical image stabilization, fast accurate auto-focus, and a high-quality construction. It’s dust-proof and weatherproof and built to last. Users love it for photography and videography use (though its slow speed will be limiting for certain capacities, such as low light on a GH4 or GH5).

For those willing to shoot prime, this Rokinon 35mm f1.5 offers stunning optics and lightning speed with some minor tradeoffs. For photo shooters, this Cine lens lacks both aperture control from the camera, and any kind of autofocusing features. It’s completely manual. That said, for those willing to forego their camera’s controls, users love the images this lens produces. It’s capable in low light and tack sharp. It’s best for video shooters who will be comfortable shooting manual.

For those who like it fast and wide, the Rokinon 12mm f2 may be what you’re after. Boasting an extremely wide-angle focal length, it is very similar to the above lens otherwise; it’s completely manual, lacking both aperture control and focus control from the camera. That said, much like the lens above, it offers excellent sharpness. Still, at this exotic focal length, there are some drawbacks, namely notable vignetting at f2.0 (not present in the 35mm), and some users had issues with the placement of the aperture ring (still, one won’t need to adjust this terribly often). While it has some caveats compared to the 35mm, this lens offers great value and performance for those looking to take wide-angle shots and video.

For those who need superb range and don’t need the utmost in optical quality, this 45-200mm offers superb value. With a minimum focusing of 1m, it can even be used for macro photography (200mm is serious reach, after all). Users love it for its sharpness throughout the focal range and it’s praised as ergonomic and easy to use. It boasts snappy autofocus. For those who want to take shots of distant subjects, this lens offers image stabilization and solid quality optics in a package with a lot of bang for the buck.

For those who are comfortable with a Cine-style lens with telephoto qualities, this 85mm f1.5 offers superb sharpness and high-quality optics. Like the above Rokinon lenses, it lacks autofocus or aperture control from the camera. If you can deal with these tradeoffs, you’ll be rewarded with a wonderfully sharp, fast lens, with beautiful bokeh.

For those who want a sharp, prime lens, but don’t want to deal with manual focus or aperture, this Lumix lens may just be the best micro 4 3 lens. Users love its bokeh and color. It’s praised as ideal in low light, small, and portable, almost like Canon’s “pancake” lenses. It doesn’t zoom and isn’t practical for macro photography (.6 foot minimum focusing distance), but beyond these caveats, this lens is great for photographs and videographers who need something fast, wide, and that works automatically.

For those who want a quiet lens for videography, this Sigma lens delivers. Boasting autofocus and aperture control, this affordable lens offers users great value. Image quality and color are loved by users, and at f2.8, it may not be a low light king, but it’s on the fast side. It’s a great choice for creamy profile shots. One drawback is the large minimum focusing distance, which limits this lens for macro photography. Otherwise, it’s a great budget option to add to one’s kit.

For those who don’t mind shooting slightly wider, the 25mm f1.7 is hard to beat. Offering aperture control, autofocus that works great for video and photos, and beautiful bokeh, this lens is essentially the MFT answer to “the nifty fifty.” It’s lightweight, compact, and a great beginner lens to add to one’s arsenal.