Jim Sterling: 5 Fast Facts You Need to Know

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Jim Sterling

Jim Sterling’s career is due in part to the Xbox Kinect.

In an interview with Heavy, Sterling said that in 2010 while still working for gaming news site Destructoid he was sent to cover Microsoft’s E3 Press Conference where they would announce the Kinect. Sterling said that they made him and other journalists wait in line for hours with no water available. When they got there, they put white vests on them and had Cirque du Soleil dance around them. They then projected light onto the vests for some sort of video package. It also turned out that MTV had an exclusive on the whole event.

Sterling angrily left early for a water fountain. The story the next day was “Jim Sterling stormed out of the Kinect show in disgust,” which he said was only half true. After going back to the seedy motel Destructoid was operating out of, he was asked to give his thoughts on the presentation for the publication’s video coverage.

“I’d already taken to wearing aviators to alleviate camera shyness, and by the time I yanked the microphone out of our interviewer’s hands and blasted Microsoft, I was halfway toward cutting a wrestling promo,” Sterling told Heavy. “The whole thing was such a blast in retrospect that I decided to try doing it some more.”

This moment led Sterling to establish the Jimquisition, a weekly video series where Sterling gives his thoughts about topical issues regarding the video game industry. Every week after that he’s taken the industry to task, investigating some of the biggest names in gaming. Now after going independent, his fan-funded brand is 575,000 subscribers strong.

Here’s everything you need to know:

1. Sterling Investigated Suspicious Behaviors of Big Video Game Companies Like Square Enix

Independent Video Game Critic Jim Sterling investigated the surge of advertorials involving gambling websites and apps and found that the companies who pay for websites to write advertorials not only didn’t require disclosure but encouraged clients to mask the fact that the article is an advertorial.

Sterling received emails from game site managers who received offers from ICS-Digital and Media-Top to promote online casinos on their websites in the form of advertorials. It turns out Sterling was receiving emails with the same offers from the same two companies even though his website is funded by viewers and the contact page clearly states that he doesn’t allow sponsored content.

Sterling decided to negotiate a deal with Media-Top for a sponsored article just to see what the process was like. Basically, Media-Top pays you to put a link to their client’s online casino in your article. Media-Top doesn’t care if the articles aren’t about online casinos. In fact, they told Sterling to write about a topic he likes and just shoehorn the link into the article by weaving the topic of online casinos into it. Not only did the topic of disclosure never come up, but Media-Top encouraged Sterling to put other external links unrelated to online casinos to “mask” the link so that it isn’t obvious.

Media-Top told Sterling that they’ve made over 5,000 deals in the past two years.

While the negotiation only came from Media-Top, the process eerily matches advertorials on a number of websites. They awkwardly weave in the topic of online gambling into the article, have multiple links, and don’t disclose that they’ve been paid for.

Media-Top was ready to offer money to Sterling to write an article containing the link to the online casino but Sterling couldn’t bring himself to do it, not even to write one calling out the company. That’s because the $100 he would have been paid just wasn’t worth it. Sterling later donated $100 to the Nevada Council on Problem Gambling and another hundred to the ACLU.

Sterling’s Jimquisition series regularly calls out the anti-consumer practices of video game publishers. After publishing a video criticizing the microtransactions and “Augment Your Pre-Order” program of Deus Ex: Mankind Divided, Sterling was messaged by a developer at Eidos Montreal with a number of allegations. While anonymity prevents Sterling from presenting the allegations as confirmed fact, he did check the developer’s credentials to verify he worked for the company and the allegations lined up with what other developers told him.

The inclusion of microtransactions in Mankind Divided’s single player was a last minute decision sprung on the developers by publisher Square Enix. The multiplayer mode, Breach, was tacked onto the game out of fear from Square Enix that players would get bored of the single player mode.

The marketing department for the game spent 50,000 CAD on DXTV, a video series promoting the game with only four episodes and with the most viewed one having 67,742 views. The game had a budget of 70 million CAD and needed to sell 3 million copies to break even. VGCharts estimated that Mankind Divided sold a total of 0.93 million for both PS4 and XBONE and Steamspy estimated that it has 642,995 owners on game distribution service Steam.

They also paid their interns at Eidos Montreal some of the lowest wages in the city, there was no internal beta within corporate, the game constantly tracks player movements in the game and stores them in a server for analysis, and one programmer claimed that Square Enix’s upper management “doesn’t give a fuck about games.”

2. Sterling Has Been Attacked by Game Developers

The most notorious developer to attack Sterling is Digital Homicide, with the first incident occurring in 2014. Not only did the developer mock Sterling for a YouTube video of him playing one of their games, but they also issued a DMCA-style copyright takedown in a bid to censor the video. The developer filed a libel lawsuit in March 2016 asking for $10 million in damages from Sterling. The case was raised to $15 million before being dismissed with prejudice last February. You can hear all about Sterling’s dealings with the developer in his nearly 40 minute video above.

Earlier in March, Sterling was accused of trademark violation by indie developer STICLI Games over a video critical of their game, Airport Master. However, the report they filed had no evidence of a registry number or status for its trademark and the accusations of trademark violation were proven to be spurious. The report was eventually rejected by YouTube itself.

Digital Homicide and STICLI Games are just two of the developers hitting Sterling’s videos with copyright takedowns and harassment. All of the takedowns have either never been taken to court or have been blocked by YouTube’s copyright protection program. All the affected videos have been put back on Sterling’s channel.

3. In Addition to Muckraking, Sterling Creates Editorials, Podcasts, and More

Sterling’s wheelhouse is his Jimquisition series. Episodes not only call out questionable video game industry practices but also discuss video game success stories and clever design. No matter what Sterling does, he always brings his unique brand of humor as he brandishes a giant pink dildo bat and obsesses over the 1980’s toy series Boglins.

He used to write game reviews on his website. A fair number of them have have drawn ire from fans. His review for The Legend of Zelda: Breath of the Wild, which he gave a seven out of 10, had people send death threats and attempt to hijack his site and Twitter account.

As of October 11, 2017, he has decided to stop writing reviews after growing tired of the formula, the arguments from people, and taking time away from doing video content.

By far his biggest project to date is JimSAW, a parody of the Saw franchise that featured a cameo by popular voice actor D.C. Douglas.

Sterling also hosts Podquisition, a weekly podcast discussing video game news. Fellow independent video game journalist Laura Kate Dale and musician Gavin “Miracle of Sound” Dunne join Sterling as regular guests. Fans of the Jimquisition feel right at home on Podquisition as his guests share the same sense of irreverent humor. Sterling also hosts a podcast called The Spin-Off Doctors where he examines and often eviscerates movies based off of video games with fellow critic Conrad Zimmerman. Sterling hosts yet another podcast titled Jim Won’t Give Ian His VR where comedian and podcaster Ian Boldsworth tries to goad Sterling into giving him his virtual reality headset.

He has a video game based on him coming called Jim Sterling’s Licensed Game Experience. The game will be released for mobile devices and stars Dale. In the interview with Heavy, Sterling said that the developers working on it were taking too long. “No hard feelings from me, but it reached a point where I couldn’t justify waiting on them anymore for what the game was going to be,” he said. However, Sterling’s Art Director Justin McDaniel also happens to be a budding game designer and delighted Sterling with some pitches.

In addition to all that, Sterling has a number of spin-off shows. Jimpressions is a series of “Let’s Plays” mostly focusing on terrible games that pass through the substandard quality control of Steam. The Best of Steam Greenlight series highlights awful trailers of games trying to get on Steam through the Steam Greenlight program while the Greenlight Good Stuff series looks at promising games trying to get on Steam. All of his shows related to Steam Greenlight have been cancelled with the cancellation of the Steam Greenlight program. Sterling launched another spin-off show on September 21, 2017 called Commentocracy, where he, dressed as an 18th Century aristocrat known as Duke Amiel Du H’ardcore, dramatically reads real comments from self-proclaimed hardcore gamers sharing their “elite gaming wisdom” such as “real PC RPGs are for nerds” and “all casuals should be forced back in time.” There is another spin off show releasing soon called The Loose Boys where conversations between Sterling and his friend Jonathan are animated by McDaniel.

McDaniel, whom Sterling met by chance at a local Target, was hired full time and was essential for the Jimquisition’s rebranding and its brand new art assets. Sterling writes that his dictatorship angle for the show he had since his days at The Escapist worked with his larger-than-life and egotistical persona and sense of humor. However, he writes that not only has his sense of humor grown out of the dictatorship style but the changing political landscape in recent years made him comparable to Nazis, which didn’t match Sterling’s political beliefs and raised concerns for Sterling that he was alienating his audience. He considered trying a more religious angle or even a Road Warrior-style gimmick before deciding on a “pervert’s circus” as he called it. It matched the more eccentric tone of the show nowadays, allowed Sterling to keep some of the existing branding, and explained the appearance of characters like The Cornflack Homunculus and Jimsaw. One of the most drastic changes for Sterling was the theme tune change. He was thinking of replacing “Born Depressed” by Drill Queen before considering all the other changes but he never felt confident enough to do it. But that changed after he heard “Stress” by Jim’s Big Ego (no relation), which he instantly fell in love with and thought it would be perfect for the new direction.

4. Sterling Was Abused as a Child

The Beginner's Guide

The Beginner’s Guide (Photo from press kit on https://www.igdb.com/games/the-beginners-guide/presskit)

For his review of The Beginner’s Guide, Sterling chose not to spoil the game but to talk about his upbringing and career and how it resonates with the themes of the game. He spent his childhood in Erith, Greenwich, United Kingdom in poverty, sleeping on the floors of family friends. His stepfather was an abusive alcoholic and a member of the Outcast biker gang who called himself The Preacher.

If you spoke during the airing of the National Lottery, it would be your fault he lost that week. You were ‘jinxing’ him by producing the slightest audible noise.

By the time Sterling was a teenager, he was incapable of socializing properly and terrified to speak out of turn. He decided to seek medical attention after spending a party with friends trapped in his mind and convinced that everyone there hated him. He still has social anxiety, but it’s not as severe as it once was.

Sterling writes that his upbringing may be part of the reason he focuses so much on negative comments on his reviews. Pointing out and making fun of negative feedback for all to see gives him validation from the people who do respect his work. He also recognizes that doing so can do a disservice to positive feedback and he tries not to indulge in it too much.

A big part of what I do, I do just for me. Because I want it. Because I need it. Because it gives me the agency, and identity, the ability to feel proud of myself when once I was incapable of it.

He now lives in Brandon, Mississippi with his wife and stepson.

5. Sterling Went Independent After Growing Sick of Traditional Games Journalism

In November of 2014, Sterling launched his Patreon page so that all the content on his website can be funded directly by fans. This includes the Jimquisition, his podcasts, game reviews, and other articles. Some of his content is still supported by ads through an affiliation with Maker Studios, which includes Jimpressions and Best of Steam Greenlight. He also sells T-shirts and other merchandise through distributor Shark Robot.

Sterling has been in games journalism since 2006. Sterling previously worked for Destructoid and The Escapist, hosting his reviews and the Jimquisition on both sites. As he writes on his Patreon page, he decided to go independent after growing weary of the video game journalism industry and its reliance on ad-supported models.

I don’t want to be under the shadow of corporate entities, and I don’t want to feel my criticism of the games industry exists by their good grace. I want to be able to make videos and write reviews on my own terms now, and to directly serve you, the audience. And I don’t want to do it while hawking some bloody corn snack products.

At the time of writing, Sterling has nearly 6,300 patrons contributing over $12,300 a month. He was featured as a creator of the week on Patreon’s blog. On his YouTube channel, he has over 575,000 subscribers and over 225,000,000 views. His Twitter account has over 175,000 followers with another 36,000 following him on Facebook.